When visiting an orphanage in the present, he discovers it in the same hiding spot, which inspires some heavy existential pondering. Desperate to preserve the horse, he hides it. That human quality is rooted in a childhood flashback where K is playing with the toy but gets bullied by some other children. It's a clever reversal: Instead of a story about a human who might be a robot, Blade Runner 2049 is a story about a robot who might be a human. Dick that inspired the first film is titled Do Androids Dream of Electric Sheep? - but the plot of the movie hinges on the idea that K's childhood recollections might actually be real. Any viewer of the original knows that replicants are embedded with memories - the mind-bending novel by Philip K. Though we first learn about the toy horse from one of K's memories, the vision is immediately called into question because he's a replicant. Like, seriously, what's with the damn horse? Why is it so important? What does it meaaaannnn? ![]() In addition to brooding, investigating worm farms, and looking very cool in a shearling coat, Ryan Gosling's K, the protagonist of the new movie, spends much of his screen time obsessing over this little souvenir, and you might leave the theater with some questions about it. Instead of a piece of origami of a mythical creature, the twist in Blade Runner 2049 centers around a wooden toy horse. But does it also attempt to introduce its own cryptically symbolic animal figurine and use it in the finale to create a moment of whoa- dude-level ambiguity? Of course it does. ![]() Few props are so central to a movie's themes.Ĭlearly, Blade Runner 2049, the stylish new sequel from director Denis Villeneuve ( Sicario, Arrival), arrives in theaters with the hope that it will match (or potentially surpass!) the artistic highs of the first movie - and even create the same spirited arguments that fueled the original's cult reputation. But the most important prop in the film, the one that has inspired decades of debate even between its director and star, is the origami unicorn, which Deckard picks up in the film's final scene. Paull and art director David Snyder, conceived of a neon-hewed science-fiction universe filled with eye-catching items like Rick Deckard's hefty blaster, his sturdy whiskey glass, and the clunky, polygraph-like Voight-Kampff machine used to test subjects suspected of being replicants. Director Ridley Scott, along with production designer Lawrence G. The original Blade Runner, released in 1982 to mixed reviews and modest box office returns, was a movie of totemic objects.
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